With the entertainment industry becoming increasingly commercialized, TV shows and films are churning out like fast-fashion products—produced at a rapid pace but often sacrificing quality. Weak plots, cheap-looking costumes and props, cringe-worthy dialogues, and poor acting have sadly become the norm. These kinds of glaring flaws often leave audiences feeling frustrated, as if their intelligence is being insulted.
That said, there are still some standout productions that break the mold. One such example is the latest drama from CCTV, In the Name of Law (以法之名). From the moment it aired, it received widespread praise. When the state broadcaster steps in, you can expect a certain level of quality. Even the casting alone sets it leagues apart from many other series. Featuring powerhouse actors like Jiang Xin and Zhang Yi, the star-studded lineup is already a compelling reason to tune in.
展开剩余89%Take Jiang Xin’s crying scenes, for instance—they alone make the drama worth following. Her raw, guttural sobs and anguished expressions set a benchmark for young actors and highlight the glaring difference compared to those who fake tears poorly. Many consider Jiang Xin a refreshing presence in the entertainment circle; she’s been in the industry for years without ever chasing after power or aggressively grabbing resources, carving out a unique path in the process.
Her refusal to compete does not mean she lacks talent. Quite the opposite—viewers familiar with Jiang Xin’s work are often stunned by her powerful performances. In In the Name of Law, she plays prosecutor Zheng Yaping, and through her portrayal, we witness what true acting looks like. When she learns that the person responsible for a colleague’s misfortune is someone from within the department, her gaze zeroes in on that individual. An intense flame of fury rises within her, her face contorts with anger, and her eyes flash with rage—her flared nostrils completing the picture.
This isn’t acting for the sake of acting; it feels real. That authenticity instantly draws the audience in, making it easy to empathize—even through the screen, her anger is palpable. During a tense interrogation scene with the betraying colleague, her trembling lips betray the effort to hold back the fury inside, her flushed cheeks and clenched teeth silently revealing the depth of her pain. Though she doesn’t break down in tears outright, the restrained emotion is all the more heart-wrenching.
Beyond the tearful scenes, Jiang Xin’s nuanced character development shines. Zheng Yaping’s role demands a delicate balance: embodying the gravitas and dignity of a prosecutor while still showing feminine tenderness. This complex emotional interplay is tough even for seasoned actors, yet Jiang Xin handles it effortlessly. Dressed in sharply tailored suits, her confident tone and purposeful stride radiate a commanding presence, visible even from a distance.
However, when working on cases, she reveals a softer side. Witnessing a defendant shout to protect their rights, her eyes soften with sympathy and concern. Without uttering a word, her gaze speaks volumes, conveying the character’s inner conflict with remarkable subtlety.
This natural style of acting feels refreshing and genuine, vividly bringing the inner world of a prosecutor to life. Jiang Xin becomes Zheng Yaping in the truest sense. Her performance is so convincing that comparisons with other actors inevitably arise—and these comparisons highlight a stark gap.
Crying scenes are notoriously challenging, yet Jiang Xin’s performances always evoke strong emotional connections, coming across as both genuine and effortless, never forced or artificial. In contrast, many younger actors still struggle in this area. Their tears often reduce to a set formula: furrowed brows, a few tears, and a twisted mouth. It’s become a tired cliché applied regardless of the context or story.
Even in deeply emotional scenes, such as the death of a parent, some actors maintain a flat, expressionless face. Without the tears, viewers might mistake them for background characters rather than leads experiencing profound loss. Whether the actors feel awkward or not, the audience certainly does—these performances can be painfully unconvincing, turning potentially compelling drama into cringe-worthy moments that fail to engage.
Makeup is another area where many actresses fall into patterns. Many seem to wear nearly permanent makeup—unaffected by sleep or water. This is particularly jarring in historical dramas set during wartime, where the makeup should reflect the harsh conditions. Instead, female actors often sport flawless, overly polished looks that clash with the setting and break immersion.
Such contrasts help explain why modern viewers increasingly lose interest in current TV dramas. While In the Name of Law enjoys strong popularity now, some worry it might fall into the “high start, low finish” trap. Two key issues contribute to this concern. First, the storyline can feel overly dramatic and implausible—for example, an opening courtroom scene featuring a sudden flip-flop from a crime boss and a strange suicide by a prosecutor named Qiao Zhenxing.
These two story threads are crucial but are handled clumsily. Why would a former chief prosecutor suddenly take his own life? The suicide comes with a voice recording claiming to expose a protective umbrella, which already strains credibility. Additionally, in a serious place like the forensic center, the plot allows critical evidence to be casually switched—this undermines realism and risks alienating the audience.
Second, there are clear inconsistencies in character portrayal. Despite the impressive cast, role interpretation sometimes feels disjointed. Zhang Yi’s performance, for example, tends to follow a predictable pattern seen in many of his roles. Meanwhile, Jiang Xin’s character frequently shows emotional outbursts during work, which conflicts with the professional image of a prosecutor.
Overall, the series has its flaws and plenty of points for critique. However, some viewers remain hopeful that the plot will evolve and bring a turnaround in quality as the story unfolds.
In conclusion, although the drama presents some problematic elements in both storyline and acting, it deserves a patient and open-minded viewing. No show is flawless, and compared to many others, In the Name of Law holds promise. With the full season yet to air, there’s still a chance for it to grow stronger and deliver a satisfying narrative.
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